PHOT G120: Darkroom Photography 1
| Item | Value |
|---|---|
| Eff Term | Fall 2026 |
| Curriculum Committee Approval Date | 11/18/2025 |
| Top Code | 101100 - Cinematography |
| Units | 3 Total Units (Lecture Units 1.5; Lab/Other Units 1.5) |
| Hours | 108 Total Hours (Lecture Hours 27; Lab Hours 81) |
| Total Outside of Class Hours | 54 |
| Total Student Learning Hours | 162 |
| Course Credit Status | Credit: Degree Applicable (D) |
| Material Fee | No |
| Basic Skills | Not Basic Skills (N) |
| Repeatable | No |
| Open Entry/Open Exit | No |
| Grading Policy | Standard Letter (S),
|
| Local General Education (GE) |
|
| California State University General Education Breadth (CSU GE-Breadth) |
|
Course Description
This course will introduce students to the historical and technical fundamentals of the processes, principles, and tools of film-based, darkroom photography. This course also introduces the development of personal artistic expression and visual perception. Topics covered include the development of technical and aesthetic skills, picture-taking techniques, darkroom printing techniques, elements of design and principles of composition, photographic materials and auxiliary equipment, and historical and contemporary trends in photography from a fine arts perspective. Transfer Credit: CSU; UC.
Course Level Student Learning Outcome(s)
- Operate the manual controls on a 35mm camera and auxiliary equipment.
- Use a variety of basic darkroom techniques.
- Formulate criticisms of photographs utilizing photographic terminology and concepts.
- Apply the elements and principals of design in a well-composed photograph.
Course Objectives
- Produce photographs that utilize photographic tools, materials, and processes including camera controls, image exposure, image processing, printing, and presentation.
- Employ exposure, dodging, burning-in, and cropping when printing an enlargement from a negative.
- Apply the elements of design and principles of composition in finished photographs.
- Create a portfolio of photographs demonstrating formal, conceptual, and technical development.
- Analyze photographic images utilizing relevant terminology and concepts.
- Examine historical and contemporary trends, language, and aesthetics in photography.
- Operate auxiliary equipment such as light meters, filters, tripods, and wide-angle and long lenses.
- Use photographic equipment and materials safely.
Lecture Content
- Introduction to the darkroom
- Making a photogram
- Safe handling, maintenance, and appropriate use of photography equipment and materials
- Anatomy of a camera and auxiliary equipment
- Camera controls
- Operating the shutter
- Operating the aperture
- Loading and cleaning the camera
- Elements of design and principles of composition
- Historical examples of effective composition
- Film exposure and processing
- In-camera exposure
- Developing film
- Printing techniques
- Dodging
- Burning-in
- Cropping
- Contrast filters
- Film characteristics
- Paper characteristics
- Filter characteristics
- For black and white film
- Concept development and project-based approaches to photography
- Group and individual critiques of photography
- Critical vocabulary
- Introduction to photographers and major photographic art movements
- Historical and contemporary trends in photography
- Historical and contemporary trends in aesthetics as it relates to photography
Lab Content
- Camera controls, auxiliary equipment, and photographic tools
- Shutter
- Aperture
- Other manual camera controls
- Loading and cleaning of the camera
- Light meters
- Filters
- Tripod
- Wide angle and long lenses
- Other auxiliary equipment and tools
- Wet-lab film development and darkroom printmaking
- In-camera exposure
- Developing film
- Contact printing
- Photogram
- Materials and processes
- Film
- Paper
- Chemicals
- Compositional techniques and principles
- Elements of design
- Principles of composition
- Balance
- Rhythm
- Perspective
- Repetition
- Framing
- Image exposure
- Dodging
- Burning in
- Cropping
- Contrast filters
- Group and individual critiques
Method(s) of Instruction
- Lecture (02)
- Lab (04)
Instructional Techniques
-
Reading Assignments
Articles, handouts, and textbook readings.
Writing Assignments
Written assignments may include quizzes, essays, exams, or reports. Students will write a critical review after visiting a photography exhibition using appropriate photography terminology including interpretations of meaning, references to art movements, and aesthetics.
Out-of-class Assignments
Student will complete some photo shooting assignments outside of class. Students will visit a photography exhibition and write a critical review using appropriate photographic terminology including interpretations of meaning, references to art movements, and aesthetics.
Study Non-Contact Hours Recommended
54
Methods of Student Evaluation
- Midterm Exam
- Final Exam
- Short Quizzes
- Written Assignments
- Essay Examinations
- Objective Examinations
- Report
- Projects (Individual/Group)
- Problem Solving Exercises
- Oral Presentations
- Skills Demonstration
Demonstration of Critical Thinking
Students will solve specific photo shooting assignments involving the principles of camera operation and around visual problems in the form of a successful print. Students will critique each other's work orally.
Required Writing, Problem Solving, Skills Demonstration
Written assignments may include quizzes, essays, exams, or reports. Students will write a critical review after visiting a photography exhibition using appropriate photographic terminology including interpretations of meaning, references to art movements, and aesthetics. Students will create a portfolio of photographic work demonstrating formal, conceptual, and technical development.
Resources Subscreen
- Textbook: Barbara London and Jim Stone. A Short Course in Photography: Film and Darkroom . Pearson (2018 (Classic)).
- Textbook: Barbara London and Jim Stone. Photography. Pearson (2025).
Eligible Discipline(s)
- Photography: Master’s degree in photography, fine arts, or art OR bachelor’s degree in any of the above AND master’s degree in art history or humanities OR the equivalent. Master's degree required.
