MUS G111: Live Sound Reinforcement
Item | Value |
---|---|
Curriculum Committee Approval Date | 12/03/2024 |
Top Code | 100500 - Commercial Music |
Units | 3 Total Units |
Hours | 54 Total Hours (Lecture Hours 54) |
Total Outside of Class Hours | 0 |
Course Credit Status | Credit: Degree Applicable (D) |
Material Fee | No |
Basic Skills | Not Basic Skills (N) |
Repeatable | No |
Open Entry/Open Exit | No |
Grading Policy | Standard Letter (S),
|
Course Description
This course is an introduction to live sound for students who want to develop skills in designing and operating sound for live concerts, theatrical productions, and other venues requiring amplification. Emphasis will be placed on practical knowledge and techniques in operating sound equipment on all levels, using the technology from the recording studio and music department on campus. Transfer Credit: CSU.
Course Level Student Learning Outcome(s)
- Couse Outcomes
- Identify sound equipment to amplify electrical and acoustic instruments.
- Utilize sound equipment to amplify performers in musical and theatrical productions, as well as spoken word in a public venue.
- Identify procedures for resolving technical malfunctions.
Course Objectives
- 1. Define common terminology used in the field of sound reinforcement.
- 2. Design sound reinforcement systems for small to large venues.
- 3. Distinguish difference in needs between a variety of music, theatrical, and public meeting productions.
- 4. Equalize a system to a specific acoustical environment.
- 5. Identify packing and transport solutions for sound equipment.
- 6. Utilize common procedures for trouble shooting issues with sound equipment, musician amplification, and venue requirements.
Lecture Content
Microphone selection Electric insturments Acoustic instruments Vocalists Ensembles Public speaker Wireless mics in a theater setting Microphone placement Electric instruments Acoustic instruments Vocalists Ensembles Public speaker Head mics for theater Cabling and connectors Mixing console operations Signal processing Special effects devices Equalization Graphic equalizers Real time analyzers Power amplifiers and power ratings Speaker selection Speaker placement On-stage monitors Systematic trouble shooting procedures Equipment handeling and storage Terminology of lighting and stage eqiupment
Method(s) of Instruction
- Lecture (02)
- DE Live Online Lecture (02S)
- DE Online Lecture (02X)
Reading Assignments
Reading articles provided by instructor
Writing Assignments
Design sound plans for various venue types Develop a budget for equipment purchase Create inventory list of equipment
Out-of-class Assignments
Observation of a variety of music, theater, and public venues
Demonstration of Critical Thinking
Trouble shoot sound and equipment malfuctions in real time.
Required Writing, Problem Solving, Skills Demonstration
Set up sound equipment for specific performance requirement.
Eligible Disciplines
Music: Master's degree in music OR bachelor's degree in music AND master's degree in humanities OR the equivalent. Master's degree required.
Textbooks Resources
1. Required Wasem, James. Great Live Sound: A Practical Guide for Every Sound Tech (Classic), ed. Great Sound Institute, 2019 Rationale: Classic
Other Resources
1. Instructor handouts 2. Equipment manuals