MUS A111: Computers in Music 2
Item | Value |
---|---|
Curriculum Committee Approval Date | 03/23/2022 |
Top Code | 100400 - Music |
Units | 3 Total Units |
Hours | 90 Total Hours (Lecture Hours 36; Lab Hours 54) |
Total Outside of Class Hours | 0 |
Course Credit Status | Credit: Degree Applicable (D) |
Material Fee | No |
Basic Skills | Not Basic Skills (N) |
Repeatable | No |
Open Entry/Open Exit | No |
Grading Policy | Standard Letter (S),
|
Course Description
Designed to introduce the layman or computer professional to the rapidly evolving use of computers and related digital technology in music. Emphasis will be given to professional music software, dedicated music systems, MIDI (Musical Instrument Digital Interface) and digital audio. PREREQUISITE: MUS A110. Transfer Credit: CSU.
Course Level Student Learning Outcome(s)
- Create 2 musical compositions utilizing standard music production programs that demonstrate competency in the following techniques:
- a. Looping
- b. Sequencing
- c. Editing
- d. Virtual synthesis
Course Objectives
- 1. Demonstrate via a practicum, the skills necessary to operate a Digital Audio Workstation (DAW).
- 2. Create musical arrangements (or remixes) that use a different set of Standard MIDI Files (SMFs). Rather than short classical piano pieces, create arrangements using a set of classic rock electronica SMFs ranging from The Beatles to Depeche Mode.
Lecture Content
Accretion of the MIDI Specification MIDI messages MIDI controllers MIDI and SMPTE Time Code System Exclusive messages Further use of professional music notation software Pocket scores Editing Application programs Conversion of score to a Standard MIDI File (SMF) Second tier use of professional Music Production software Sequencing techniques used in electronica, i.e. dubstep, glitch-hop, etc. Cubase (PC and Mac) FL Studio Advanced sequencer editing functions Digital sampling synthesis Film concert DVDs such as: Emerson, Lake Palmer: Welcome Back Standard MIDI Files (SMFs) Finding free SMFs Creating Manipulating Use of "a cappellas" Drum and rhythm sequencing
Lab Content
Cubase:Importing the .mid file (SMF) into Cubase.Saving the .mid file as a Cubase file (.cpr).Preparing the tracks that were imported.Connecting the Virtual Studio Technology (VST) instrument(s) to the tracks.Set each track to a unique MIDI channel (1-16/10 for drums). Selectively use the Mute tool to create a varied texture nondestructive. DATT:D: Create drum track using the MIDI drum feature.A: How to import Digital Audio (loops) from license-free archives.T: Working with the Tempo track to create accelerandos, ritardandos, etc.T: Transpose MIDI track up or down to create a larger sonic field.Setting the L R locators for Audio Export.Copying the Audio Interchange File Format (.aif) to the "house" flash drive.
Method(s) of Instruction
- Lecture (02)
- DE Live Online Lecture (02S)
- DE Online Lecture (02X)
- Lab (04)
- DE Live Online Lab (04S)
- DE Online Lab (04X)
Instructional Techniques
Detailed computer-generated lecture/demonstrations. Hands-on computer lab work. Instructional DVDs, CDs, QuickTime and YouTube clips, live performances and guest speakers.
Reading Assignments
Syllabus reading: Cubase Tutorials.
Writing Assignments
Students must demonstrate proficiency in MIDI digital audio to the instructor s satisfaction through class projects to complete the course.
Out-of-class Assignments
Electronica performances, particularly those that feature alumni. Visiting SoundCloud BandCamp websites for current past students' projects.
Demonstration of Critical Thinking
Successful completion of individual student projects. Verbal critiques of fellow students' work.
Required Writing, Problem Solving, Skills Demonstration
Students must demonstrate proficiency in MIDI digital audio to the instructor s satisfaction through class projects to complete the course.
Eligible Disciplines
Music: Master's degree in music OR bachelor's degree in music AND master's degree in humanities OR the equivalent. Master's degree required.