Academic Catalogs

ART A075N: Screen Printing for Lifelong Learning

Course Outline of Record
Item Value
Eff Term Fall 2026
Curriculum Committee Approval Date 12/3/2025
Top Code 109900 - Other Fine and Applied Arts (CTE)
Units 0 Total Units 
Hours 108 Total Hours (Lecture Hours 27; Lab Hours 81)
Total Outside of Class Hours 0
Total Student Learning Hours 108
Course Credit Status Noncredit (N)
Material Fee Yes
Basic Skills Not Basic Skills (N)
Repeatable Yes; Repeat Limit 99
Open Entry/Open Exit No
Grading Policy P/NP/SP Non-Credit (D)

Course Description

Theory and practice of screen process printing; treatment of screen, techniques of photo stencil making, color registration, and printing on various surfaces pertinent to fine art and commercial application. Emphasis on execution of original designs and understanding of contemporary applications. Not Transferable.

Course Level Student Learning Outcome(s)

  1. Demonstrate their understanding of screen printing through the creation of a portfolio of prints.
  2. Employ simple and photographic applications of screen printing in related projects.
  3. Identify screen prints and be able to discuss the techniques utilized in their creation.

Course Objectives

  • 1. Treatment and processing of screen.
  • 2. Express visual concept in the screen print medium.
  • 3. Determine the appropriate ink to stencil compatibility for printing on any desired substrate surface.
  • 4. Comprehend the screen stencil printing process of multicolored 2-dimensional art print and commercial print reproduction.
  • 5. Understand the craft of screen printing and its applications.
  • 6. Gain an understanding of contemporary techniques and application of screen printing.
  • 7. Correctly use the vocabulary of screen printing.
  • 8. Developing stencils by analog and digital methods.

Lecture Content

  • A. Origin, development, and basic principles of stencil making
  • 1. Pre-Twentieth century examples of stencil printing
  • 2. Twentieth and Twenty-first century examples of stencil printing
  • B. Shop introduction and terminology
  • a. History and present composition
  • b. Mesh size and how it affects printing and final product
  • c. Fabric color and why it matters
  • C. Screen printing inks
  • 1. Color Mixing
  • 2. Transparency and Opacity of inks
  • 3. Cleaning up inks and proper storage
  • D. Papers for screen printing
  • 1. Concerns for selecting papers
  • 2. Proper handling and tearing down of paper
  • E. Simple Paper stencils
  • 1. Planning the images
  • 2. Cutting the Stencil
  • 3. Proper Printing
  • F. One color printing and registration
  • 1. Using the squeegee
  • a. Holding and pressure in printing
  • b. Durometer of the squeegee and how that affects printing
  • 2. Printing and flood strokes
  • 3. Trouble shooting printing problems
  • 4. Clean-up
  • G. Photo Emulsion
  • 1. Develop an analog transparency
  • a. What types of transparency materials to use
  • b. What types of drawing materials to use
  • 2. Developing a digital transparency
  • a. Using Photoshop
  • b. Halftone filters
  • c. Proper Output
  • 3. Working in the dark room
  • 4. Prepping the screen for emulsion
  • H. Applying Emulsion
  • a. Emulsion chemistry
  • b. How to coat the screen and problems that may arise
  • 6. Using the exposure unit
  • a. Understanding the unit and its control panel
  • b. Developing exposure times
  • 7. Washing out the screen
  • I. How to register colors
  • 1. Simple color applications
  • 2. Four (process) color separations
  • J. Printing on fabric
  • 1. Differences between printing on fabric and paper
  • 2. Using the printing station and quick adhesive
  • K. Fine arts applications
  • 1. Historical and Contemporary examples of artist who use screen printing
  • 2. Installation and sculptural applications of screen printing
  • L. Commercial applications

Lab Content

  • 1. Development of drawings and designs suitable for each screen print technique. 2. Preparation of equipment and materials for each print technique.
  • 3. Maintain equipment and supplies.
  • 4. Group and individual critiques on in-progress and finished print works.
  • A Demonstration of printmaking techniques and processes to include:
  • Screen filler/drawing fluid
  • Digital Stencils
  • Knife cut stencils

Method(s) of Instruction

  • Regular NC Lab (NC4)
  • Regular NC Lect (NC3)

Instructional Techniques

Lectures and demonstrations of techniques and processes, videos, guest speakers, field trips, hand-outs on processes, history, terminology, ongoing one-on-one critiques, class critique at end of semester.

Reading Assignments

Selected handout materials to be provided and distributed by instructor.

Writing Assignments

Written artist statements.

Out-of-class Assignments

Students reseach and develop imagery for artwork.  Sketchbook and resource inspiration folder. Gallery art opening (OCC Doyle Gallery), field trip

Methods of Student Evaluation

  • Projects (Individual/Group)
  • Problem Solving Exercises
  • Skills Demonstration

Demonstration of Critical Thinking

Student portfolio, written quizzes, participation.

Required Writing, Problem Solving, Skills Demonstration

Written artist statements.

Other Resources

1. Selected handout materials to be provided and distributed by instructor. 2. Inks, solvents, printing paper, photo stencil materials, photo film.

Resources Subscreen

  • Textbook: Adam, Robert and Robertson, Carol. Screenprinting: The Complete Water-Based System. Thames & Hudson (2004).

Eligible Discipline(s)

  • Art: Master’s degree in fine arts, art, or art history OR bachelor’s degree in any of the above AND master’s degree in humanities OR the equivalent. NOTE: “Master’s in fine arts” as used here refers to any master’s degree in the subject matter of fine arts, which is defined to include visual studio arts such as drawing, painting, sculpture, printmaking, ceramics, textiles, and metal and jewelry art; and also, art education and art therapy. It does not refer to the “Master of Fine Arts” (MFA) degree when that degree is based on specialization in performing arts or dance, film, creative writing or other non plastic arts.